27th October 2016 Wil Wainwright

EXPLORING ODD GROUPINGS PART 3

Welcome to part 3 of the series.  In this lesson we are going to look at one way to play a three note grouping.  Not only is this really going to help you strengthen your bass drum speed and independence, but it also sounds cool!  It’s a short but focused lesson that should hopefully prepare you for some of the more intricate patterns to come.

  1. This is the basic snare/bass pattern that we are going to work with.  As always, take your time and really try to internalise this pattern until it flows smoothly.
  2. In this exercise we are “simply” going to add an 8th note hi-hat pulse over the top.  Please be aware that the phrase now flows in and out of sync with your right hand.  Also, when you loop the bar, it really helps to work on strengthening your left hand for ghost notes.  Once you can comfortably play this try accenting the 1/4 note downbeat.
  3. Now we just put it into context.  As you go between the simple groove and the pattern, really focus on keeping the hihat as smooth and consistent as you can.  As in the previous example, once you have the loop down, try to accent the downbeat as you play.
  4. So, if you were able to play the previous exercises with the downbeat accent then you should find this a little bit easier.  If, you skipped that step, I recommend, going back and doing that first.  What we have is the same three note grouping as before but we are now playing it over a 1/4 note pulse in 3/4 so that it resolves each bar.  As you increase the tempo, try and ensure that the hihat pulse is kept smooth and relaxed.

Check out the next lesson for an extension in this idea to help progress your snare independence.

 

Tagged: , , , , ,

About the Author

Wil Wainwright Wil Wainwright has been a student of the drums for well over 20 years and a teacher for over 10, starting his musical journey in the early ‘90s. He has been a part of many bands over the years ranging from Punk, through Rock, Prog, Math-Core, Math-Rock, Metal, Pop and Electronica. Although he is an accomplished performer, teaching is where his real passion lies. He now teaches at various schools and colleges in the UK including prestigious institutions like Ardingly College as well as smaller primary schools. Wil also does a lot of private tuition, really focusing on getting students to be the best versions of themselves possible. He proudly plays Istanbul Mehmet Cymbals both on his teaching set ups and also on his live and studio kits because “They just sound right!”

Istanbul Mehmet Cymbals

If you have any questions, just complete the following form and we will get in touch with you as soon as we can.